In the seventh century on the musical alphabet notes, Seville Psycho wrote the following lines in a letter: “If music leaves the human memory, it disappears completely. Because, it is not possible to write it. “A thousand years ago, the Greeks had found a way to spill the notes on the paper. They could write melodies, lines and dots. Unfortunately, this music alphabet disappeared over time. Discovered the mathematical mystery of music and laid down by the first founding Pythagoras (Pythagoras, 530-450 BC). He has created separate branches of science as geometry, arithmetic, astronomy, geography, music and nature knowledge under the discipline of all developed studies as well as his own devrine. It is rumored that Pythagoras discovered his mathematics in music as he passed by the front of a blacksmith shop. According to the tools used by the blacksmith, he made various voices in various ways. He made Pisagor’s interest, closed the shop and made various tools for the craftsman. Western music was unaware of the till the beginning of the ninth century. The works were transferred from ear to ear, and in the meantime they were changed and could be forgotten over time. In the second half of the ninth century, the first grading system appeared. A great progress has been made as Guido of Arezzo (Gui d’Arezzo) began to specify precisely the height of the sounds of the system. The height of the notes (do, re, mi, …) and the duration (unity, duality, quatrain, …) have become definitively determinable by using the five-line “porte” In fact, music has four parameters: height, duration, intensity and timbre. The first two of them were poured onto paper by a number of commonly acknowledged signs over time, and the violence and tone were marked as additional words beside the notation and partly left open to interpretation. To give a variety of voices and to prevent them from interfering with each other, note-specific names were given to represent voices. Do, re, mi, fa, left, la, si. In English and German, the notes are shown in letters (C = do, D = re, E = mi, F = fa, G = sol, A = la, B = si-ing.-, H = si-alm. -). The name of the note ‘do’ was the previous name ‘ut’. This name, starting with a vowel, was changed to ‘do’ in the 12th century when the notes were ordered in order to get stuck. ‘Ut’ is still used in Germany and some countries. Other than ‘Si’, the other names are Gui d’Arezzo. Arezzo wore these names from the first syllable of the saints of Saint Lohannes Battista. The name of the seventh note remained “B” for a long time, later in the thirteenth century it received the name of ‘si’, which took its name from the initials of the words of Sanete lohannes. The discovery and development of the sculpture has created an extraordinary development environment for music practice. Notation has enabled the enrichment and diversification of the repertoire by saving the performer from memorization, as well as the prolongation of the music pieces and the participation of works written by various periods and countries. Thanks to the note, a musician has become alone enough to perform a piece of music that he does not know. However, in this system, music could not be rhythm. In 1200, Polish Franco described the measurable note system in his book, “Measurable Music Art”. Later on, the improvements were made to the alphabet human being we use today. Share Multiple Information

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